As a painter I do not follow any visual or practical strategy. Art is patchwork for me and has to be reconsidered over and over again. I use photographic images as a source. And the process takes places, as soon as the image is detached from its initial context and transformed into painting.
For me it is important not to define, but in the best case to give a proposal on how to reflect on painting and what it can be. The outcome might be as well figurative as non-figurative.
A critical conceptual approach is essential to me. This includes aspects as the relation to photography, politics, architecture, the transience of daily live, as well as mechanisms of the art world and its market.